Mary Louise Pratt (born 1948) is a Silver Professor and Professor of Spanish and Portuguese Languages and Literatures at New York University.She received her B.A. in Modern Languages and Literatures from the University of Toronto in 1970, her M.A. in Linguistics from the University of Illinois at Urbana in 1971, and her Ph.D. in Comparative Literature from Stanford University in 1975.
Mary Louise Pratt wrote the essay “Arts of the Contact Zone” with the purpose of explaining that society would benefit if people were exposed to and understood the concept of “contact zones”. She refers to contact zones as social spaces where cultures meet and clash with each other, usually with one culture being dominant over the other.Arts Of The Contact Zone Research Paper When first reading Mary Louise Pratt s essay, Arts of the Contact Zone, one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as autoethnography, imagined community, and safe house in this work to help demonstrate the reasoning of her thoughts and feelings about historical and actual events she.Mary Louise Pratt uses many ideas and terms in her work “Arts of the Contact Zone”. Some of these terms include contact zone, transculturation, and even autoethnography. She uses these terms and ideas to help show or explain different events that she wants to make clear and important.
Mary Louise Pratt is the author of an essay known as, Arts of the Contact Zone. In this essay Pratt introduces her readers to a term referred to as the contact zone. This is the point where cultures clash with one another or simultaneously come together. This can be seen throughout history.
In this essay, I would like you to consider what kinds of insights Mary Louise Pratt’s essay, “Arts of the Contact Zone,” and its concepts of contact zone, community, transculturation, and autoethnography might contribute to your understanding of the roles of English in the world. Citing Benedict Anderson and what he calls “imagined.
Mary Louise Pratt’s essay is called “Arts of the Contact Zone”. She defines a contact zone as a space where two cultures wrestle with each other’s ideas and beliefs. She goes on to discuss how these contact zones have come to help shape society, and how the aftermath is world changing.
When first reading Mary Louise Pratt s essay, Arts of the Contact Zone, one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as autoethnography, imagined community, and safe house in this work to help demonstrate the reasoning of her thoughts and feelings about historical and actual events she speaks about.
Research Fundamentals: Mary Louise Pratt. Read about some of the terms or concepts included in Pratt's essay (autochthonous, cultural studies, autoethnography, transculturation). Some possibilities include: International Encyclopedia of Social and Behavioral Sciences, 2nd edition.
In her essay, The Arts of The Contact Zone, Mary Louise Pratt, a member of the Modern Language Association, relates the challenges of politics to the concept of a social space where “cultures meet, clash and grapple,” (501) accordingly termed “contact zones”.
Contact Zone. Contact Zones. Mary Louise Pratt’s 1991 essay Arts of the Contact Zone has been a very influential essay for the college and adult literacy professional community. The fact that few K-12 educational professionals are familiar with this essay indicates again the significant disconnect between K-12 and adult literacy discourse communities.
In addition to the contact zone, she writes about the term papers, or border songs: essay, mary louise pratt. Resume writing services hobart. Louise pratt, jos piedra. Hezoballah books customer review. House model and transculturation. Writing a critical analysis thesis. On mary louise pratt defines. Sample introduction to term paper, Case.
Such a text is heterogeneous on Mary Louise Pratt 37 the reception end as well as the production end: it will read very differently to people in different positions in the con.
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On the other hand, in the essay Mary Louise Pratt “Arts of the Contact Zone,” she uses terms like imagine community, autoethnography and safe house to help in demonstrating the reasoning of her feelings and thought about actual and historical events she speaks about. Pratt in her essay talks about ethnography and transculturation.
In accepting the ultimate defeat of the Indians, Chief Seattle adopted an element of the dominant, Euro-American thought, demonstrating the transculturation that Pratt predicts. While the contents of Chief Seattle’s speech, as recreated by Dr. Smith, demonstrate both autoethnography and transculturation in a contact zone, their presence alone does not confirm the authenticity of the speech.
When first reading Mary Louise Pratt’s essay, “Arts of the Contact Zone,” one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as autoethnography, imagined community, and safe house in this work to help demonstrate the reasoning of her thoughts and feelings about historical and actual events she speaks about.
Autoethnography Autoethnography connotes the conceptualization of the issues affecting people from the perspective of the masses. As employed in Arts of Contact Zone by Mary Louise Pratt, it cites Guaman’s work as the ideal example of writing where the composer accepts the role given to him by the society (Pratt 531).